In this award-winning documentary, "The Fleet's In!" is given a half-minute or so, maybe a minute, no more. The artist, shown often with his favorite model, and, evidently, his lover, Jon Andersson, reflects on a wide range of his paintings and drawings, explaining that he often used himself in his paintings -- "I was the most available and least costly model" -- and also put his friends in his works. No surprise there. His symbolic models were often Renaissance and medieval paintings, which we see juxtaposed to his own works, and to the extent tht his sexuality is discussed it is often in the context of remarks about, and quotations from, letters from his friend E.M. Forster, and from W.H. Auden. We learn also what egg tempera painting involves. (I always wanted to know; didn't you?)